Saturday, June 7, 2014

Half-Baked Thoughts on Tragedy and the Sublime

The best art is honest, and honesty requires acknowledgment of the fact that the universe is godless and morally empty, that life inevitably frustrates man's desires, including his desire for eternity.

The great tragedies hit a sweet spot where technique and an uncompromising commitment to truth can be combined to achieve the sublime.  At the end of Hamlet, for example, all the members of Denmark's royal family have died violent deaths, and the state itself has fallen to Fortinbras's invading army from Norway. The characters that Shakespeare made you sympathize with and their entire country have been destroyed. With the corpses of the royal family lying all around, a messenger arrives to announce that the king's will has been done because the government of England has beheaded Rosencrantz and Guildenstern. This is a sublimely ironic announcement because the king of Denmark had actually dispatched the two of them to escort Hamlet to England and give the king there an order that Hamlet, not Rosencrantz and Gildenstern, be beheaded. Destruction can be so complete, ambition thwarted so roundly, it can be sublime.

Secular, modern art can depict an intellectually honest form of transcendence. The man whose reach exceeds his grasp can be heroic. A man's life can be worthwhile even though his desires and ambitions will inevitably meet with frustration. "A tragic situation exists precisely when virtue does not triumph but when it is still felt that man is nobler than the forces which destroy him."          

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